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She replied to the ad and began performing in live sex shows.īy 1977, Swenson became Williams’ manager and recruited her to join his newly formed punk rock band, Plasmatics. It was a casting call for radical artist and Yale University graduate Rod Swenson’s experimental ‘Captain Kink’s Theatre’. Williams arrived in New York City where she saw an ad in the Show Business magazine that lay open on the Port Authority Bus Terminal station floor.
In 1977 the New York Times reported that business was good, and that Playland was paying $170,000 a year in rent. Playland stayed at this location through the 1970s and 80s. Bennett, the chairman of the City Planning Commission, announced his desire to rid Times Square of all the flea circuses, penny arcades, freak shows, wax museums and shooting galleries. Playland became one of the meccas for Skee ball and later pinball, and had multiple locations, including at 1565 Broadway and 1580 Broadway in the 1950s.įrom the early 1950s Playland was also at 246 West 42nd Street. Skee ball, invented in 1909, was introduced to New York in 1915 by two former Princeton football stars, Beef and Bert Wheeler who brought it to Times Square. And it was great! Because if I didn’t have sex at the sex club, I would’ve felt kind of bad.” I started talking to this cute girl who was there, and the next thing you know, we had sex. And they had all these giant matted rooms, for like 30 people. This was people eating like they were on a goddamn cruise ship. You can’t wait to eat? We’re at a sex club. And they had buffets, which was kind of disgusting. You put your stuff in a locker, just a little towel on, like you’ve done a million times in the gym, and you walk out and it’s like, some of the people were sort of hot. I went to a place called the Zoo in 1981. “There used to be sex clubs all over New York, right before AIDS. ‘After Midnight: A Scrapbook of Late Night New York’, New York magazine, March 2015 – by Colin Quinn James shot it during its demolition / reconstruction
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The inside of the New Amsterdam (which was the original Zeigfeld Follies theatre). Sincere thanks to James Hamilton for allowing us to share this selection of photos.
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In this selection of previously unpublished photographs, Hamilton shows various sides of Times Square in the 1970s.įor other pictures of Times Square theaters, yesterday and today, see our recent feature here. He went on to shoot extensively with Wes Anderson, photographing the sets of ‘The Royal Tenenbaums’ (2001), ‘The Life Aquatic with Steve Zissou’ (2004), and ‘The Darjeeling Limited’ (2007), as well as on the set of Noah Baumbach’s ‘The Squid and the Whale’ (2005). Romero, Hamilton was enlisted to capture stills for his next two movies, ‘Knightriders’ (1981) and ‘Creepshow’ (1982), followed by work for Francis Ford Coppola on the set of ‘The Outsiders’ (1983). In 1980, Hamilton began also shooting stills for films. He also contributed to many iconic magazines including Rolling Stone, Vanity Fair and New York. Hamilton is best known for documenting the New York City film, art and music scene of the 1970s and 1980s capturing the likes of Nico, Patti Smith, Tom Verlaine, Beastie Boys, and James Brown on film.ĭuring this time he served as staff photographer for numerous publications, including Crawdaddy! (’69-’71), The Herald (’71), Harper’s Bazaar (’71-’75), the Village Voice (’74-’93), and the New York Observer (’93-’09). The Rialto Report recently featured a selection of photographs taken backstage at the Melody Burlesk by photographer James Hamilton.